https://albabresoli.com Alba Bresolí | Film. Video. Thu, 14 Aug 2025 07:18:05 +0000 https://albabresoli.com en https://albabresoli.com/Home-1 Wed, 13 Aug 2025 11:05:06 +0000 Alba Bresolí | Film. Video. https://albabresoli.com/Home-1 <img width="1951" height="1434" width_o="1951" height_o="1434" data-src="https://freight.cargo.site/t/original/i/cbcbd588b658ce414d11aa5a7551afd7a945a1ca2f0c370492ee648e33af281b/main_still_omen.png" data-mid="236989170" border="0" data-scale="61" src="https://freight.cargo.site/w/1000/i/cbcbd588b658ce414d11aa5a7551afd7a945a1ca2f0c370492ee648e33af281b/main_still_omen.png" /> https://albabresoli.com/Illa-de-Carn Wed, 13 Aug 2025 12:02:29 +0000 Alba Bresolí | Film. Video. https://albabresoli.com/Illa-de-Carn ILLA DE CARN (MEAT ISLAND) Multi-channel video installation, November 2023, 40 min Commissioned by the art collective El Temporal (Santander). The installation takes a look at industrial pig farming in my region, unfolding through three lenses: the folklore and legends surrounding the animal, its humanization and demonization, and the ecological footprint it leaves behind. Documentary language intertwines with lyrical imagery and personal writing, weaving a narrative that oscillates between intimacy and confrontation. The installation opens with the stillness of a dry field at dawn. Gradually, the quiet is fractured by the mechanical chorus of pigs’ cries, traffic, and heavy machinery. On a smaller screen, two slaughterhouse workers recount the unyielding rhythm of their labour: over 30,000 pigs processed daily in winter, unbearable heat in summer, and a ceaseless cycle of production that drains vast quantities of water and leaves waste hidden near the edges of the natural world. The work confronts the viewer with the dissonance between the serene surface of the landscape and the brutal machinery that underpins it. <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/0f5ecfb8b7b32eb216b5b7d67f684cf244acceb141805d7dbe8be067d2fc12ab/_el_temporal_2023_baja_res_286.jpg" data-mid="237019647" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/0f5ecfb8b7b32eb216b5b7d67f684cf244acceb141805d7dbe8be067d2fc12ab/_el_temporal_2023_baja_res_286.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/a704704fd5665f1dfcf0bfc4cf83b8641044f4656a2d4b6be978a166bb46c89f/el_temporal_2023_baja_res_291.jpg" data-mid="237019648" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/a704704fd5665f1dfcf0bfc4cf83b8641044f4656a2d4b6be978a166bb46c89f/el_temporal_2023_baja_res_291.jpg" /> Photos by Miriam Mora and Pablo López Some written notes as part of the videoinstallation:My great-grandfather transported pig bones.My grandfather, the fat.He would ask my mother to go with him to the buildings where the bones were turned into feed. She went, uneasy.It was a journey erased by fog, in a van that always smelled of death, shit, and dry earth. -My grandmother used to say that the pig was the most dangerous animal of all: “if it’s hungry, it can eat anything.”That was why she said she would find children from nearby farmhouses missing a piece of an ear.And yet, on her bedside table, my grandmother kept a small figurine of Saint Anthony the Abbot, the patron saint of animals, often depicted with a pig at his feet.Legend has it that Saint Anthony saved a pig that was sick or wounded and, from then on, the animal followed him everywhere as a symbol of gratitude.The figure of Saint Anthony, like the pig itself, hundreds of years ago, was believed to heal both people and animals.-During the Franco Dictatorship, the house and its walls listened while the pigs squealed.In the region, people said that the easiest way to make the bodies of those executed by the Francoists during the postwar years disappear was to throw them to the pigs.In less than an hour, nothing remained. - My first pet was a sow.She was enormous.One day, a pig slaughter was held at our house; my grandfather brought the animal from a nearby farm. I remember a huge steaming pot, a table covered in intestines that looked like translucent velvet, and Tresca watching everything, absorbed.Tresca was meant to be next, but my parents felt sorry for her because she was almost my only friend.I was seven years old and lived in the farmhouse where I was born, surrounded by forests.They decided to keep her alive for breeding.Four years later, they decided to inseminate her.She died during the night while giving birth.When I woke up the next morning, through the window of my bedroom that looked onto the stable: a vast empty space and a dark puddle. -It was dusk, almost night.The air was dense and cold, and the road curved from the exit of La Guixa into the emptiness between the fields.The houses gradually faded away, giving way to fog and dark soil where, from time to time, a wild boar crossed like a ghost; other times, cats, foxes, or even barn owls appeared—silent and fleeting.My mother was driving, and I, seven years old, pointed out, intrigued, a block of flats in the middle of nowhere, its windows lit up. “What is that building doing here? Who lives there?”My mother answered: “People don’t live in that building—animals do. The lights are always on so they don’t fall asleep. They think it’s daytime, and that way they keep eating nonstop. For them, the night—the time to rest—never comes.” -Sus domestica is the scientific name for the pig. Domestica, on the one hand, refers to the animal that was kept inside the home, when it was still part of the environment and of a family unit.In rural households, it was kept in the hayloft or even at the entrance of the house, to provide warmth and, eventually, meat throughout the year.On the other hand, thousands of years ago, the pig was a wild boar, living freely in the forest, until humans made it dependent and domesticated it.After humans, pigs are the most intelligent animals. https://albabresoli.com/Cinema-en-curs Wed, 13 Aug 2025 12:03:31 +0000 Alba Bresolí | Film. Video. https://albabresoli.com/Cinema-en-curs CINEMA EN CURS In the context of education, I teach non-fiction and documentary cinema workshops (2020-present) within the pedagogical program “Cinema en curs.” This is a selection of some of the works we made: De les vinyes als carrers. Memòries de Can Mas&nbsp;— A film by 15 years old students from Institut El Martinet (Ripollet, BCN), Cinema en curs 2025-2026. Shot in digital. Qui té roba per rentar — A film by 13 years old students from Institut Moisès Broggi (Barcelona), Cinema en curs 2021-2022. Shot in digital. Bella és una casa&nbsp; — A film by 16 years old students from Institut Moisès Broggi (Barcelona), Cinema en curs 2022-2023. Shot in digital. Racons de la Conca — A film by 14 years old studeints from Institut de Tremp, Cinema en curs 2020-2021. Shot in Super 8. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1571de1b52cf0ae2b245747fa3bb01995c7323bcea36b9b96a97ce71d900f181/broggi_film_39.jpg" data-mid="237019700" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/1571de1b52cf0ae2b245747fa3bb01995c7323bcea36b9b96a97ce71d900f181/broggi_film_39.jpg" /> <img width="1440" height="1090" width_o="1440" height_o="1090" data-src="https://freight.cargo.site/t/original/i/6c049b46ca7d6bb1cda1f408a9d18422b578df2d9024520910195ab3ff8e48ad/_3_0.jpg" data-mid="237019696" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/6c049b46ca7d6bb1cda1f408a9d18422b578df2d9024520910195ab3ff8e48ad/_3_0.jpg" /> Stills from Qui té roba per rentar and Racons de la Conca <img width="4500" height="3001" width_o="4500" height_o="3001" data-src="https://freight.cargo.site/t/original/i/de614fb1d7940afe20312de8df8d3089132cf2bfb9a15f3096034d73618a763f/CastorPCufi__0026298.jpg" data-mid="237019664" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/de614fb1d7940afe20312de8df8d3089132cf2bfb9a15f3096034d73618a763f/CastorPCufi__0026298.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/8c3506f8231bd1c5766ff47663f0c97f82ef50c727a4125c5e118de4a6a83203/20_21_itremp_super8_210517_006-min.jpg" data-mid="249442603" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/8c3506f8231bd1c5766ff47663f0c97f82ef50c727a4125c5e118de4a6a83203/20_21_itremp_super8_210517_006-min.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/d0a8e5d521b6cc72368b1e4471473f5c981a630debdca4e20a00f4d0e083900a/2526_martinet_0415_03773.jpg" data-mid="249442593" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/d0a8e5d521b6cc72368b1e4471473f5c981a630debdca4e20a00f4d0e083900a/2526_martinet_0415_03773.jpg" /><img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/22bd2cc86461e9ad617ca9afbfacfe43e893a9747e1676fda1218a7e9b464208/2223_ibroggi_0419_a_232.jpg" data-mid="237019699" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/22bd2cc86461e9ad617ca9afbfacfe43e893a9747e1676fda1218a7e9b464208/2223_ibroggi_0419_a_232.jpg" /> Photos by Castor P.Cufí https://albabresoli.com/Lo-de-Evole Wed, 13 Aug 2025 12:04:21 +0000 Alba Bresolí | Film. Video. https://albabresoli.com/Lo-de-Evole LO DE ÉVOLE I worked as a TV program director (2024) on several episodes of Lo de Évole by Producciones del Barrio (La Sexta), a high-profile Spanish prime-time program combining in-depth interviews, documentary storytelling, and investigative journalism. Hosted by journalist Jordi Évole, the show explores pressing social issues, political events, and human stories with empathy, rigor, and a distinctive narrative style. You can watch them here: Lo de María León Lo de Ricky Rubio Lo de Juan José Millás More episodes coming soon.&nbsp; <img width="1920" height="883" width_o="1920" height_o="883" data-src="https://freight.cargo.site/t/original/i/4ea2b07225f56434eecb50da13d19bb67ee6cacae4ada4f6116798fa7f6c55eb/evole-cierra-maria-leon-este-domingo-gran-temporada-lasexta-mejor-ultimos-cuatro-anos_69.jpg" data-mid="237020004" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/4ea2b07225f56434eecb50da13d19bb67ee6cacae4ada4f6116798fa7f6c55eb/evole-cierra-maria-leon-este-domingo-gran-temporada-lasexta-mejor-ultimos-cuatro-anos_69.jpg" /> https://albabresoli.com/About Wed, 13 Aug 2025 10:36:20 +0000 Alba Bresolí | Film. Video. https://albabresoli.com/About Alba Bresolí Aliberch (1995) is a Catalan film director and film programmer working through non-fiction and cross-disciplinary practices. She grew up in an isolated house in inland Catalonia. Her work unfolds in rural and peripheral territories, exploring forms of resistance, both human and non-human, through non-fiction cinema in dialogue with other disciplines. Her approach is receptive, empathetic, participatory, and rooted in place. Her short films When the Mountain Rumbles (2022, Gaudí Award nominee) and The Good Omen (2024) have been featured internationally at festivals such as IDFA, Sheffield DocFest, Málaga, Big Sky Documentary Film Festival, Indielisboa, and DocumentaMadrid. Her work has been supported by and developed through programmes and film residencies including Centre Pompidou, CCCB, HKW.&nbsp;In May 2025, the Filmoteca de Catalunya dedicated a special screening to her body of work within the Dies Curts program, highlighting her practice.&nbsp; She is currently developing her feature debut, Bodies in the Void (Cossos al buit), produced by FRACTAL and Malcriada Films. During its development, Alba has participated at LIM – Less is More (Le Groupe Ouest), BaseCamp (Locarno Film Festival), Casa de Lava, and Cinema Pendent (L’Alternativa). As a film programmer, she is the co-founder and curator of Les Filmines, a monthly rural film programme in Gurb (Osona). Since 2022, she has been programming at DocsBarcelona.&nbsp;She has also guest-curated for festivals such as Go Short, Memorimage, FICVI, and VOC, supporting and showcasing emerging and local directors. Through non-fiction cinema and in dialogue with other artistic practices, Alba Bresolí’s gaze is always grounded in empathy, attentiveness, and openness. Her work takes flight when it becomes aware of—and embraces—collective participation: as a political statement, an ethics of making together, always in response to the bonds that emerge in everyday life. Filmoteca de Catalunya (2025)__ Alba Bresolí Aliberch (1995, Muntanyola) és una cineasta de no ficció i programadora. Va criar-se en una casa aïllada, a Osona, i va viure-hi fins als 17 anys. Ha estudiat Comunicació Audiovisual a la Universitat Pompeu Fabra, Media &amp; Arts a la Universitat Bauhaus (Weimar) i el Màster en Documental de Creació a la Universitat Pompeu Fabra, gràcies a la beca Talent de la BSM-UPF. Desenvolupa la seva trajectòria artística en espais rurals, a les perifèries i fora dels nuclis urbans. Busca espais on hi ha un reducte de resistència cap al sistema, ja sigui per part de l’humà i/o del no-humà. Explora i documenta amb el cinema de no ficció, que sovint es troba amb altres disciplines, adoptant una posició receptiva, d’empatia i d’aprenentatge, situant-se amb el cos al territori. Sovint la seva feina pren una dimensió política però també participativa. Els seus curtmetratges El día que volaron la montaña (2022, nominat als Premis Gaudí) i El bon auguri (2024) s’han mostrat a festivals com IDFA (Holanda), Sheffield DocFest (Anglaterra), Festival de Málaga (Espanya), Big Sky Documentary Film Festival (EUA), Indielisboa (Portugal), Documentamadrid (Espanya), entre altres, rebent premis nacionals i internacionals. Durant el 2024 va formar part de les residències artístiques-científiques La Viral, que tenien com a objectiu posar l’art i la ciència al servei dels territoris, per visibilitzar problemàtiques socioambientals i relacionades amb el col·lapse i l’emergència climàtica. El mateix any va ser convidada pel col·lectiu artístic El Temporal (Santander) a crear una videoinstal·lació. És llavors quan comença a investigar la problemàtica social i ambiental dels purins i la ramaderia intensiva, combinant imatge, text i paisatge sonor. L’obra es titula Illa de Carn. També ha format part de la residència Cultures d’Avenir (edició 2024), un programa de formació per cineastes emergents impulsat pel CCCB juntament amb el Centre Pompidou, La Gaîte Lyrique i la Haus der Kulturen der Welt (HKW). Aquest maig de 2025, La Filmoteca de Catalunya li ha dedicat una sessió on s’han projectat tots els seus curtmetratges a dins del programa Dies Curts. Actualment està desenvolupant el seu primer llargmetratge, Cossos al buit,&nbsp;produït per FRACTAL i Malcriada Films. El projecte s'ha desenvolupat en diversos programes i laboratoris internacionals, entre els quals LIM – Less is More (Le Groupe Ouest), BaseCamp (Festival de Locarno), Casa de Lava&nbsp;i Cinema Pendent (L'Alternativa)&nbsp; En l’àmbit de l’educació, imparteix tallers de cinema documental i de no ficció a cinema en curs. També ha estat convidada a impartir sessions a la Universitat de Notre Dame (EUA), Curs de Documental d’ESCAC Fast Forward, postgrau de muntatge de la Universitat Pompeu Fabra i al Màster de Guió de la Universitat de Barcelona. Finalment, ha co-fundat, programa i forma part del col·lectiu Les Filmines, un cicle mensual de cinema rural a Gurb (Osona), a més a més de formar part del comitè oficial de programació del DocsBarcelona (2022-present). A través del cinema de no-ficció i en diàleg amb altres pràctiques artístiques, la mirada d’Alba Bresolí adopta sempre una posició d’empatia, escolta i obertura. La seva obra s’enlaira quan pren consciència i abraça la participació col·lectiva — com una declaració política, una ètica del fer en comú, sempre en resposta als vincles que neixen en el dia a dia. Filmoteca de Catalunya (2025)<img width="3483" height="2400" width_o="3483" height_o="2400" data-src="https://freight.cargo.site/t/original/i/ad5573129bb0954a17b1bf9a0860cb846682c170794e08d089046feeb3b6a5c4/22_05_2026_0021-3-2.jpg" data-mid="249442609" border="0" src="https://freight.cargo.site/w/1000/i/ad5573129bb0954a17b1bf9a0860cb846682c170794e08d089046feeb3b6a5c4/22_05_2026_0021-3-2.jpg" />Photo by Ben Guez https://albabresoli.com/Curatorial Thu, 14 Aug 2025 07:18:05 +0000 Alba Bresolí | Film. Video. https://albabresoli.com/Curatorial From underground basements to rural towns, my path as a film programmer has been shaped by the belief that cinema can create spaces for collective reflection, connection, and imagination. I began programming while studying Media &amp; Arts at the Bauhaus University in Weimar, co-founding Cinema Sotterraneo and transforming the school’s basement into a screening space for experimental films, where student works were shown alongside established directors.Since then, I have continued to curate non-fiction film programmes that explore the social, political, and emotional potential of cinema — often beyond conventional venues. Whether in educational contexts, rural communities, or international festivals, I understand film programming as a situated and communal act that can restore collective memory, decentralize culture, and spark conversations that imagine alternate realities and create new shared imaginaries. <img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/efdd5e161b70d840b53ec0e21e142ea875fdc13555f15754be55af9ba78785f7/_DSC6243.jpg" data-mid="240154015" border="0" src="https://freight.cargo.site/w/1000/i/efdd5e161b70d840b53ec0e21e142ea875fdc13555f15754be55af9ba78785f7/_DSC6243.jpg" />Les Filmines. Photo by Ingrid Ferrer Here are some experiences as Film Programmer: Co-founder &amp; Curator, Les Filmines (CAT) (2023-present) – Monthly rural screenings in the Catalan countryside, combining cinema, food, and community dialogue. Focused on rural narratives and locally relevant themes, screenings take place one Wednesday a month at the Teatre del Molí de l’Esperança. Admission is free thanks to support from the local council and includes talks by local residents, informal discussions, and tastings of local products related to each film. Film programmer, DocsBarcelona (CAT) (2022-present) – Program Coordinator (2021-2024). &nbsp; &nbsp; Member of the programming committee since 2022, selecting for International, National, and youth sections.Guest curator, Go Short – International Short Film Festival Nijmegen (NLD, 2024) – Curated The Last Ones Will Last Forever, a programme on rural life, women’s labour, and land care. The films travel from the invisible domestic work of women in 1960s rural Italy, to the manual labour of Ñomndaa weavers in Mexico; from the magical realism of past lives of women excluded from certain spaces in 15th-century Portugal, to a collective in Amsterdam learning to grow food through mutual support. After the screening we hosted an exchange event of non-GMO seeds with artists Müge Yilmaz and Sol Archer. Film programmer, Memorimage (ES) (2023), VOC – Premis i Mostra d’Audiovisual en Català (CAT) (2020-2022), FICVI – Festival Internacional de Curtmetratges de Vila-seca (ES) (2022), among others.I have also been part of several film festival juries, such as: D’A FILM FESTIVAL – Un impulso colectivo shorts (2023)PRE-SELECTION SHORTS GAUDÍ AWARDS (2024)FESTIVAL INCLÚS&nbsp;– Documentary Competition (2024)FESTIVAL PLA – International Competition (2025)ZAGORA INTERNATIONAL FILM FESTIVAL – International Competition (2025) <img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/9b7a56361526e14ebc90f96230c0e02480084cad92801ed57a72fd0b58a1a5fb/_DSC8489.jpg" data-mid="237019589" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/9b7a56361526e14ebc90f96230c0e02480084cad92801ed57a72fd0b58a1a5fb/_DSC8489.jpg" /><img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/04e9ec30c72baa5b668329710891f0436cf89f68ec76c25718a2b1cc85d990d5/_DSC0305.jpg" data-mid="237019591" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/04e9ec30c72baa5b668329710891f0436cf89f68ec76c25718a2b1cc85d990d5/_DSC0305.jpg" /> Les Filmines. Photos by Ingrid Ferrer <img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/1d8669d7a074015e0b819de44cb78df811bc43f35e9d3aa1933ce68c905277e2/curating.jpeg" data-mid="237019585" border="0" data-scale="26" src="https://freight.cargo.site/w/400/i/1d8669d7a074015e0b819de44cb78df811bc43f35e9d3aa1933ce68c905277e2/curating.jpeg" /><img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/6ba23673971e3d9e76139bbbe5801df0625b36f7eb77ecf82083149444c0d8e0/DocsBCN_20240507_R3_1465_PhotoCescMaymo.jpg" data-mid="237019590" border="0" data-scale="39" src="https://freight.cargo.site/w/1000/i/6ba23673971e3d9e76139bbbe5801df0625b36f7eb77ecf82083149444c0d8e0/DocsBCN_20240507_R3_1465_PhotoCescMaymo.jpg" /> DocsBarcelona. Photos by Cesc Maymó <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/64438386dae85b43ae9d74828b01251a02f324b1356010b73289c77bfefdc3bb/WhatsApp-Image-2024-04-06-at-18.49.52-2.jpeg" data-mid="237019592" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/64438386dae85b43ae9d74828b01251a02f324b1356010b73289c77bfefdc3bb/WhatsApp-Image-2024-04-06-at-18.49.52-2.jpeg" /> GoShort. Photos by Gaia Klabbers https://albabresoli.com/Contact Wed, 13 Aug 2025 12:05:29 +0000 Alba Bresolí | Film. Video. https://albabresoli.com/Contact 💌 albabres at gmail dot com instagram https://albabresoli.com/El-Bon-Auguri Wed, 13 Aug 2025 11:41:52 +0000 Alba Bresolí | Film. Video. https://albabresoli.com/El-Bon-Auguri <img width="1947" height="1432" width_o="1947" height_o="1432" data-src="https://freight.cargo.site/t/original/i/dac1c17a5648475d6251813e75170fa5b01569095e502e04025266049a92a70b/cap_good_omen_4.jpg" data-mid="236994894" border="0" data-scale="40" src="https://freight.cargo.site/w/1000/i/dac1c17a5648475d6251813e75170fa5b01569095e502e04025266049a92a70b/cap_good_omen_4.jpg" /> EL BON AUGURI (THE GOOD OMEN) Non-fiction short / Catalonia / 13’ 40" / 2024 / Super-8, HD / CatalanProduced by CCCB in collaboration with Dones Visuals and funded by Diputació de Barcelona. Distributed by Gargantua Film. SYNOPSIS A stone lies in a dry, abandoned place on the outskirts of Barcelona, in the middle of a mountain that's no longer a mountain. Thousands of years ago it was used as a place to leave offerings. Sacrifices were made here as petitions for good omens. The stone recalls the last shepherd in the area, the only one who visited it, before disappearing with his sheep. In the midst of an eternal summer, suddenly, a visit interrupts the stone's existence. FESTIVALS (a selection) D’A Film Festival (CAT) – Simfonies de la Ciutat sectionIndieLisboa (PT) – International CompetitionMediterranean Film Festival (BIH) – International Shorts CompetitionCinespaña (FR) – Section RelámpagosIFEST (IT) – International SelectionCinetoro (COL) – EspejismosVerzió Documentary International Film Festival (HUN) – International Shorts Competition Manifesta Biennale (CAT) – Focus Art Week ManifestaMostra Foradcamp (CAT)&nbsp;– International Selection Festival Film Dokumenter Yogyakarta (IDN) – International Shorts Competition Festival Jóvenes Realizadores – Granada Film Fest (ES) – Aguaespejo Competition FIPADOC (FR) – International Shorts CompetitionLondon Short Film Festival (UK) – Short Official SelectionIbiza Cine Fest (ES) – International Shorts CompetitionTabaca Film Fest (ES) – Selecció OficialVienna Shorts (AUT) – International Shorts CompetitionCourtisane Festival (BEL) – Notes on CinemaLeiden Shorts Film Festival (NLD) – International Shorts CompetitionEugenea Film Festival (RO) – International Shorts CompetitionReykjavík International Film Festival (IS)&nbsp;– International Shorts Competition New York Textile Month (USA) –&nbsp;Films on Textiles curated by Jasmin Risk Concorto Film Festival&nbsp;(IT) –&nbsp;Supernature Parallel Selection - Spotted in Talking Shorts Beijing International Short Film Festival&nbsp;(CHN)&nbsp;– International Shorts Competition Scanorama (IT) – International SelectionKONNE&gt;&lt;천 PAVILION (KR) – International Selection CREDITS With the participation of Tornen Les Esquelles, Jose &amp; Carlos MontoyaProduction managment: Eva Murgui, Maria Gibert Espinós Script: Alba Bresolí, Nila Núñez, Raquel SantaneraPhotography and color: Ben Guez Sound Design: Biel Blancafort Soundtrack:&nbsp;Un cuc dins l’ull de Núria Andorrà, Ferran Fages, Tom Chant Editing: Nila Núñez Credits and poster: Ingrid Ferrer More info here <img width="600" height="800" width_o="600" height_o="800" data-src="https://freight.cargo.site/t/original/i/a8583de4161c202b363745c2f921d10b8a9fd45bb98fa0e1db904b68bb43d9a2/2bb34a6f00-poster-1.jpg" data-mid="236994777" border="0" data-scale="34" src="https://freight.cargo.site/w/600/i/a8583de4161c202b363745c2f921d10b8a9fd45bb98fa0e1db904b68bb43d9a2/2bb34a6f00-poster-1.jpg" /> Poster design by Ingrid Ferrer https://albabresoli.com/Cossos-al-buit Wed, 13 Aug 2025 11:42:09 +0000 Alba Bresolí | Film. Video. https://albabresoli.com/Cossos-al-buit COSSOS AL BUIT (BODIES IN THE VOID) Hybrid feature film / Catalonia / in early development stage / 2030 (release date)Produced by FRACTAL and MALCRIADA Films Supported by the Script Fund of GAC (Guionistes Associats de Catalunya), Master of Creative Documentary of Barcelona (UPF-BSM) SYNOPSIS In a Catalan rural landscape shaped by industrial meat production, a seven-year-old girl forms a secret bond with a runaway pig, sensing in animals what adults no longer hear, until care, labour and loss collide, forcing a first reckoning with the world.LABS LIM | Less is More (FR)&nbsp; Casa de Lava (CAT)Cinema Pendent - L’Alternativa (CAT) <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/d6205bbb479dfc46b5391e41250d7f1ce083c730d29e82220bb4be5c8deb7369/portada.JPG" data-mid="237066160" border="0" src="https://freight.cargo.site/w/1000/i/d6205bbb479dfc46b5391e41250d7f1ce083c730d29e82220bb4be5c8deb7369/portada.JPG" /> <img width="320" height="202" width_o="320" height_o="202" data-src="https://freight.cargo.site/t/original/i/01a7d116e523d6eb08d5343dd319df032bc7e0768becf581ad80f1e393e76f79/notadirectora-low-res.jpg" data-mid="239185353" border="0" src="https://freight.cargo.site/w/320/i/01a7d116e523d6eb08d5343dd319df032bc7e0768becf581ad80f1e393e76f79/notadirectora-low-res.jpg" /> https://albabresoli.com/El-dia-que-volaron-la-montana Wed, 13 Aug 2025 11:20:22 +0000 Alba Bresolí | Film. Video. https://albabresoli.com/El-dia-que-volaron-la-montana <img width="1920" height="1031" width_o="1920" height_o="1031" data-src="https://freight.cargo.site/t/original/i/3e0d4caa6b23a58d07cd3496a4145a339dc1c2ac17fd79ae0eac86a25a573464/Copia-de-FOTOGRAMA-PRINCIPAL.jpg" data-mid="236993704" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/3e0d4caa6b23a58d07cd3496a4145a339dc1c2ac17fd79ae0eac86a25a573464/Copia-de-FOTOGRAMA-PRINCIPAL.jpg" /> EL DÍA QUE VOLARON LA MONTAÑA (WHEN THE MOUNTAIN RUMBLES) Non-fiction short / Spain / 28’ / 2022 / Super-8, HD / SpanishProduced and distributed by Polar Star Films. With the support of ICEC and ICAA. SYNOPSIS Three ageing brothers must face an uncertain future and the inevitable end to years of self-imposed isolation as the abandoned village of Escó in Spain, where they have lived all their lives, faces its second threat of extinction.Brothers Evaristo, Félix and Baltasar Guallar are the only inhabitants of Escó, a crumbling village in Aragón, Spain. They have lived there alone all their adult lives. Now their insular world is under threat. In 1959, Escó was expropriated under Franco’s regime: the Guallar family were the only inhabitants to remain. Today, the construction of a motorway to the Pyrenees threatens Escó’s existence once again. What will be the final fate of the brothers and the curious place they call home? FESTIVALS AND AWARDS&nbsp;(a selection)Festival de Málaga (ES) – Official Selection of Documentary Shorts – Jury Special Mention IndieLisboa (PT) – International Competition D’A Film Festival (CAT) - Un impulso colectivoFestival Huesca (ES) – Ventana Aragonesa SessionDocumentaMadrid (ES) – Young Jury Award Sheffield Doc Fest (GBR) – “Short – This Land is Our Land” sectionManlleu Film Festival (CAT) – Young Jury Award Open Spaces – Rudnik Festival of Innovative Cinema (RO) – International Documentary Competition Gaudí Awards (CAT) – Best Short NominationGoya Awards (ES) – Best Documentary Short Candidate ICFF Manaki Brothers (MKD) – International Documentary Competition Cerdanya Film Festival (CAT) – Best Documentary Short Award Mostra Foradcamp (CAT) – Official Selection – Public Award &amp; Jury Special Mention Festival Jóvenes Realizadores – Granada Film Fest (ES) – International Competition – Jury Special Mention IDFA (NLD) – “Best of Fests” sectionCatalan Film Festival (GBR) – Official Selection FIPADOC (FR) – New Talents sectionBig Sky Documentary Film Festival (USA) – International Short Competition Go Short (NLD) – Best European Documentary Award Trento Film Festival (IT) – Youth Jury Prize from the Universities of Trento, Bolzano and InnsbruckCREDITS With the participation of Hermanos GuallarProducers: Carles Brugueras, Marieke van den Bersselaar, Chloé Atkinson&nbsp;Executive Producers: Carles Brugueras, Marieke van den Bersselaar Script: Alba Bresolí, Laia ManresaPhotography: Ben GuezOriginal Music: Félix GuallarCredits’ Music: Tarta RelenaSound Recording: Cora DelgadoSound Design: Biel Blancafort Credits: ESCOLA More info here Short available on Filmin <img width="5906" height="8268" width_o="5906" height_o="8268" data-src="https://freight.cargo.site/t/original/i/81fbb6a4a9bda26847de9fb7ec8474c80eadc9588abfa1d7d06fb8d30304c841/POSTER_EDQVLM_1_V5.jpg" data-mid="236993698" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/81fbb6a4a9bda26847de9fb7ec8474c80eadc9588abfa1d7d06fb8d30304c841/POSTER_EDQVLM_1_V5.jpg" /> Photography by Ben Guez Poster design by Camila Rodriguez